PHILIP POWERS PHILIP POWERS

L'AVVENTURA - THE MOST INCREDIBLE FILMS EVER

  • Home
  • BOOKS
  • cricket
  • QUOTES
  • 1M1 DIGITAL PTY LTD NEW SOUNDTRACK - BOOK RELEASES
  • Mark Isaacs Film Scores CDs
  • Philip Powers Recording Credits
  • SIDNEY POITIER BLACK AND WHITE
  • The Film Music of Mark Isaacs Vol 1 2-CDs
  • Nothing Can Go Wrong
  • WOMAN IN THE DUNES
  • BLADE RUNNER - IT'S NOT GENOCIDE - IT'S RETIREMENT
  • DAILY THOUGHTS - THE BLOG, IN FACT
  • SCHEDULE & MISSION
  • OBSERVATIONS
  • ESSAY - JEAN VIGO'S L'ATALANTE
  • ESSAY - COPPOLA - THE GODFATHER
  • ESSAY - FRANCIS FORD COPPOLA - THE OUTSIDERS
  • ARTICLES
  • ESSAY - JEAN RENOIR'S CAMERA
  • ESSAY - KINGSMAN - WE ALL KNOW IT'S A JOKE
  • ESSAY - MARTIN SCORSESE - TAXI DRIVER (1976)
  • INTERVIEWS
  • Articles and Essays
  • BIOGRAPHY
  • FEATURE FILM CREDITS
  • MUSIC I PRODUCED
  • MY FRIEND SIMON
  • FILMS I'VE DIRECTED
  • BLADE RUNNER IS A SYMBOL FOR
  • WEEK BY WEEK SCHEDULE
  • THE MISSION
  • WHAT I'VE SEEN SO FAR
  • THE TOP FILMS
  • ESSAY - AU HASARD BALTHAZAR
  • ESSAY - MOTHER - DARREN ARONOFSKY
  • ESSAY - 2001 A SPACE ODYSSEY - THE VISION
  • ESSAY - INGMAR BERGMAN - EXTRAORDINARY ARTIST
  • ESSAY - INGMAR BERGMAN - WINTER LIGHT (1963)
  • ESSAY - SURELY A 100 GREATEST FILMS LIST DOESN'T MAKE SENSE
  • ESSAY - BERNARDO BERTOLUCCI - IL CONFORMISTA
  • ESSAY - NEVER INVEST IN YOUR OWN FILM
  • ESSAY - VERTIGO - A PATCH OF RED
  • ESSAY - WHEN WATCHING MOVIES BECOMES A DISORDER
  • Home
    • BIOGRAPHY
    • FEATURE FILM CREDITS
    • MUSIC I PRODUCED
    • MY FRIEND SIMON
    • FILMS I'VE DIRECTED
  • BOOKS
  • cricket
  • QUOTES
  • 1M1 DIGITAL PTY LTD NEW SOUNDTRACK - BOOK RELEASES
  • Mark Isaacs Film Scores CDs
  • Philip Powers Recording Credits
  • SIDNEY POITIER BLACK AND WHITE
  • The Film Music of Mark Isaacs Vol 1 2-CDs
  • Nothing Can Go Wrong
  • WOMAN IN THE DUNES
  • BLADE RUNNER - IT'S NOT GENOCIDE - IT'S RETIREMENT
    • BLADE RUNNER IS A SYMBOL FOR
  • DAILY THOUGHTS - THE BLOG, IN FACT
  • SCHEDULE & MISSION
    • WEEK BY WEEK SCHEDULE
    • THE MISSION
    • WHAT I'VE SEEN SO FAR
    • THE TOP FILMS
  • OBSERVATIONS
    • ESSAY - AU HASARD BALTHAZAR
    • ESSAY - MOTHER - DARREN ARONOFSKY
    • ESSAY - 2001 A SPACE ODYSSEY - THE VISION
    • ESSAY - INGMAR BERGMAN - EXTRAORDINARY ARTIST
    • ESSAY - INGMAR BERGMAN - WINTER LIGHT (1963)
    • ESSAY - SURELY A 100 GREATEST FILMS LIST DOESN'T MAKE SENSE
    • ESSAY - BERNARDO BERTOLUCCI - IL CONFORMISTA
    • ESSAY - NEVER INVEST IN YOUR OWN FILM
    • ESSAY - VERTIGO - A PATCH OF RED
  • ESSAY - JEAN VIGO'S L'ATALANTE
  • ESSAY - COPPOLA - THE GODFATHER
  • ESSAY - FRANCIS FORD COPPOLA - THE OUTSIDERS
  • ARTICLES
    • ESSAY - WHEN WATCHING MOVIES BECOMES A DISORDER
  • ESSAY - JEAN RENOIR'S CAMERA
  • ESSAY - KINGSMAN - WE ALL KNOW IT'S A JOKE
  • ESSAY - MARTIN SCORSESE - TAXI DRIVER (1976)
  • INTERVIEWS
  • Articles and Essays

FILMS AS DIRECTOR

2017 COPLAND'S THIRD SYMPHONY
2017 WESTLAKE'S OBOE CONCERTO
2017 PALMER'S IN PARADISUM
2016 PALMER'S ITHACA
2015 AUDRA McDONALD AT THE SYDNEY OPERA HOUSE WITH THE SYDNEY SYMPHONY ORCHESTRA
2014 WAGNER'S TRISTAN UND ISOLDE